要塞风云
主演:亨利·方达,约翰·韦恩,秀兰·邓波儿
已完结
剧情:欧文·索帝斯是南北战争名将,被贬谪至阿伯契堡垒当指挥官,为恢复往日荣耀,将责任压在每个骑兵上,引起..
要塞风云
主演:亨利·方达,约翰·韦恩,秀兰·邓波儿
HD中字
剧情:埃米尔·库斯图里卡执导的《生活是个奇迹》, 又分别叫《生命是奇迹 / Life Is a Mira..
生命是个奇迹
主演:斯拉夫科·斯提马科,娜塔莎·塔普什科维奇,乌克·科斯蒂奇,亚力克斯桑德·贝奇科,米尔亚娜·卡拉诺维奇,维斯娜切瓦里克,尼古拉·科约,达沃尔·贾尼奇,达娜托多罗维茨,温内莎格拉丘
HD高清
剧情:姜恕和姜豪姐弟俩,在南湖乡下上中学。妈妈是队办刺绣厂有名的刺绣工人,爸爸在城里一家工厂当食堂管理员..
虹
主演:张玉屏,周谅量,李士溪,欧阳奋强,高放
高清版
剧情:这部《未定名兰斯·阿姆斯特朗传记》的剧本由《猜火车》编剧约翰·霍奇执笔,故事的重点将放在“阿姆斯特..
瞒天计划
主演:本·福斯特,吉约姆·卡内,克里斯·奥多德,李·佩斯,达斯汀·霍夫曼
高清版
剧情:贫穷混乱的伦敦街头,混杂着妓女和各色人物,玛丽(海瑟?格拉汉姆 Heather Graham饰)、..
来自地狱
主演:约翰尼·德普,海瑟·格拉汉姆,伊安·霍姆,罗彼·考特拉尼
超清720P
剧情:八公(Forest饰)是一条谜一样的犬,因为没有人知道它从哪里来。教授帕克(理查·基尔Richar..
忠犬小八
主演:理查·基尔,萨拉·罗默尔,琼·艾伦,罗比·萨布莱特,艾瑞克·阿瓦利,田川洋行,杰森·亚历山大,罗伯特·卡普荣
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.
To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.
At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.
Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.